MSCTY
MSCTY

SOUND_SPACE

SOUND_SPACE

Essay
Back to the Future: Revisiting the World Expo
by Rebecca Morrill + Guy Tindale

Back to the Future: Revisiting the World Expo

MSCTY_EXPO (LDF ZONE)

Back to the Future: Revisiting the world expo

Essay by Rebecca Morrill + Guy Tindale

 

 

Exposition Universelle

 

Osaka'70

 

The Fuji Pavilion

 

Music

 

 

Essay by Rebecca Morrill + Guy Tindale
Various images are © creative commons license

Related

Imaginary Sonic Visions by Bill Fontana is a sonic response to Enrique Sobejano and Fuensanta Nieto’s unrealised design for NCCA Moscow: New National Center for Contemporary Arts in Moscow – Competition Finalist.

IMAGINARY SONIC VISIONS
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w/ Bill Fontana

Hannah Peel created her track by following the flow of Lily Jencks’ drawing. (The Horizon: your steps are a metronome. 30 minutes, 23 July 2020.)\\

THE HORIZON: YOUR STEPS ARE A METRONOME.
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Meditations on “Theatrum Mundi”, is a sonic response in 12 movements by Yuval Avital to Daniel Libeskind’s “Theatrum Mundi”, 1983, a series of 12 abstract works (paper, collage and paint on board) that give visual form to a premonition of the future as a city besieged by an unknown infection. The composition interprets the visual artworks as ‘mandalas’ and their titles as poetic vectors.

THEATRUM MUNDI
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Akrafokonmu/Soul washer's badge was written, performed and produced by Chisara Agor in response to Elsie Owusu's A Gallery for Returning Treasures.

A GALLERY FOR RETURNING TREASURES
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Yuri Suzuki re-imagines Richard Roger’s Zip-Up House as a musical instrument created via acoustic simulation of the space.

ZIP-UP HOUSE
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Essay
Back to the Future: Revisiting the World Expo
by Rebecca Morrill + Guy Tindale

PiM.studio Architects, A music hall in the Alps, Valsolda, Italy, 2019 – competition

ARCHITECTURE MEETING NATURE MEETING SOUND
PiM.studio
w/ mcconville

Essay
Sound In Time and Step with Architectural Space
by Clare Farrow

Loraine James presents a visionary sci-fi dreamscape for Ab Roger’s cocoon-like structures.

LIVING WITH BUILDINGS
AB ROGERS
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MSCTY © 2020
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SOUND/SPACE/MEMORY/EXPERIENCE

MSCTY Explores new ways to experience the world through sound and space. MSCTY Creates collaboration between physical, tangible, imagined landscapes, and sonic [space is the] place; from this we seek new ways of reading the world around us. MSCTY Invites criticism; inquiry; openness; suggestion; community. MSCTY Believes that the only boundaries [the only barriers] are dogmatic constructs to be broken down! MSCTY Believes that the quality of sound environments is as critical as quality air to breathe. No less than the Phuture of Sound is at stake: 5, 8, 6, we are MSCTY!